Theatrical Design

The 48-Hour Musical: True North (2025) – A1

Served as A1 (sound board operator) for True North, the second installment of Stanford's 48-Hour Musical, a brand-new original musical written, composed, choreographed, and performed all within 48 hours.

Performed for a 250-seat audience in Pigott Theater. As A1, I was responsible for mixing the live band and vocals, programming the showfile and scenes, and ensuring audio levels were consistent throughout the performance.

50 Shades of Grayeties (Ram's Head, 2025) – Sound Design

Sound designed Ram's Head's 2025 production, 50 Shades of Grayeties, an original musical where a student producer and a cynical journalist must save the show from disastrous rehearsals and a Berkeley plot to hypnotize Oski.

Matilda (Asian American Theater Project, 2025) – Sound & System Design

Handled sound and system design for AATP’s 2025 production, creating a multi-zone speaker plan accounting for feedback, configuring mics, and programming effects for Matilda’s magical moments.

Legally Blonde (Ram's Head, 2025) – Sound Design

Designed sound for Ram’s Head’s 2025 production, including cue programming for the musical numbers and training an operator to run the system.

Gaieties (Ram's Head, 2024) – Sound Design

I selected, sourced/recorded, programmed, and played sound effects for the Stanford Ram's Head Theatrical Society's production of Camp Stanford, the 2024 edition of the annual Big Game Gaieties.

Photo credits: Oscar Wan.